Reserved Hall Seats: $50.00, $29.00, $25.00 (partial obstruction)
General Admission/Outdoors/Uncovered: $20.00, Students: $10
“The Abrupt Ending, of a Prolonged Vibration”
Works for Narrator and Piano, in Memory of Ned Rorem
Copland: Piano Variations
Ned Rorem: Eight Etudes for Piano (1975)
Philip Glass: Mad Rush
Darius Milhaud: From the Album of Madame Bovary (Alexander Platt, narrator)
Alberto Ginastera: Piano Sonata No.1 (1952)
A recipient of the Lincoln Center Award for Emerging Artists and the 2022 Yvar Mikhashoff Prize, “currently the hottest pianist on the American contemporary classical scene” (Minneapolis Star Tribune), a “remarkable and insightful musician” (LA Times), and “relentlessly adventurous pianist” (Washington Post) “joyfully rocking out at his keyboard” (New York Times), Adam Tendler is an internationally recognized interpreter of living, modern and classical composers. A pioneer of DIY culture in concert music who has commissioned and premiered major works by Christian Wolff and Devonté Hynes alike. In his early twenties Tendler performed in all fifty United States as part of a grassroots recital tour he called America 88×50, which became the subject of his memoir, 88×50, a Kirkus Indie Book of the Month and Lambda Literary Award nominee. He has gone on to become one of classical and contemporary music’s most recognized artists with recent engagements including appearing as soloist with the LA Philharmonic and on the mainstages of Carnegie Hall and BAM. He has been presented by the NY Philharmonic, San Francisco Symphony, and a host of other leading series and platforms including The Broad, Guggenheim, Liquid Music, The Kitchen, le Poisson Rouge, National Sawdust, Knockdown Center, Issue Project Room, Maverick Concerts, Roulette, Death of Classical, Baryshnikov Arts Center, Philadelphia Museum of Art, and NYC Pride.
Recently honored by the Illinois Council of Orchestras, Alexander Platt has built a unique career spanning the worlds of symphony, chamber music, and opera.
Alexander Platt is Music Director of the La Crosse Symphony Orchestra, the Waukegan Symphony Orchestra, and the Wisconsin Philharmonic, and spends his summers as the Music Director of the Maverick Concerts in Woodstock, New York, the oldest summer chamber-music festival in America.
Previously he spent twelve seasons as Resident Conductor and Music Advisor at Chicago Opera Theater, where he led the Chicago premieres of such landmark 20th-century operas as Britten’s Death In Venice, John Adams’ Nixon in China, Shostakovich’s Moscow Paradise, Britten’s A Midsummer Night’s Dream, Peter Brook’s The Tragedy of Carmen, the Tony Kushner/Maurice Sendak Brundibar, the first full staging of Schoenberg’s Erwartung, and the world-premiere recording of Kurka’s The Good Soldier Schweik — all to high acclaim in The New York Times, The Financial Times, The Wall Street Journal, Opera News, Opera Canada, and both the Chicago papers.